The Arabian Nights


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The Arabian Nights

Though The Arabian Nights are generally known as stories for children, they were originally tales for adults full of adventure, sexuality, violence and the. The Arabian Nights von Muhsin Mahdi (ISBN ) bestellen. Schnelle Lieferung, auch auf Rechnung - wisdomofthecrone.com In The Arabian Nights in Historical Context. Between East and West. ed. by Saree Makdisi and Felicity Nussbaum. Oxford: Oxford University Press, pp. −

Ulrich Marzolph

Many translated example sentences containing "Arabian Nights" – German-​English dictionary and search engine for German translations. Many translated example sentences containing "of the Arabian Nights" – German​-English dictionary and search engine for German translations. nights Tarot deck. The concept of this deck sounds wonderful – a tarot based on the stories that comprise the “.

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Poker Münster our spa hotel in Austria and experience holidays as magical as a fairy tale from the Arabian Nights. Auf die Wunschliste. Though The Arabian Nights are generally known as stories Merkur Automaten Tricks Kostenlos children, they were originally tales for adults full of adventure, sexuality, violence and the supernatural. Erste Bewertung verfassen. The Arabian Nights Entertainments contains 33 short stories related to the famous nights, selected and edited by Andrew Lang. I quite enjoyed his breezy editing which left no room for boredom. The stories are mostly folklore of the medieval Islamic era, with hints to ancient pre-Islamic history, mostly in Arab lands, Persia, and all the /5. Buyers BEWARE!!!, this is not the complete Arabian Nights, but only a few stories. To better appreciate this masterpiece of literature you need to read the whole thing. The complete version, also translated by Richerd Burton is a 16 volume edition/5(). Directed by Pier Paolo Pasolini. With Ninetto Davoli, Franco Citti, Franco Merli, Tessa Bouché. Ancient Arabia. A youth is chosen by a beautiful slave girl to be her new master; she is kidnapped and they must search for each other. —A Midsummer Night’s Dream The World of The Arabian Nights IT HAS BEEN some years now since as a little boy in Baghdad I used to listen to tales from The Thousand and One Nights. It sometimes seems like yesterday, sometimes like ages ago, for the Baghdad I knew then seems now closer to the time of the Nights than to our own times. It is often known in English as the Arabian Nights, from the first English-language edition (c. –), which rendered the title as The Arabian Nights' Entertainment. [2] The work was collected over many centuries by various authors, translators, and scholars across West, Central and South Asia, and North Africa. Apparently, Nights to medieval Arabs simply meant "a damn long time", so there really never were 1, actual nights in the Arabian Nights. Unfortunately for this wonderful classic, the Nights has experienced many adventures in previous releases, especially when 19th Century European "translators" adapted it to Eurocentric perceptions of. The Thousand and One Nights, also called The Arabian Nights, Arabic Alf laylah wa laylah, collection of largely Middle Eastern and Indian stories of uncertain date and authorship. Its tales of Aladdin, Ali Baba, and Sindbad the Sailor have almost become part of Western folklore, though these were added to the collection only in the 18th.

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Der Plumpsack Geht Um our spa hotel in Austria and experience holidays as magical as a fairy tale from the Arabian Nights. Tausendundeine Nacht ist eine Sammlung morgenländischer Erzählungen und zugleich ein Klassiker der Weltliteratur. Typologisch handelt es sich um eine Rahmenerzählung mit Schachtelgeschichten. The Arabian Nights (Leather-bound Classics) | Burton, Richard, Mondschein, Ph.​D. Kenneth C. | ISBN: | Kostenloser Versand für alle Bücher. The Arabian Nights: Tales of 1, Nights: Volume 1 | Irwin, Robert, Lyons, Malcolm, Lyons, Ursula | ISBN: | Kostenloser Versand für alle. Many translated example sentences containing "of the Arabian Nights" – German​-English dictionary and search engine for German translations. The narrator's standards for what constitutes a cliffhanger seem broader than in modern literature. Meiern Anleitung Franco Citti Also numerous Sinbadand Ali Baba films. Running time. It has, however, been criticized for its "archaic language and extravagant idiom" and "obsessive focus Bella Lodi Käse sexuality" and Solitär Kartenspiel Kostenlos even been called an "eccentric ego-trip " and a "highly personal reworking of the text". At one time, Persian was a common cultural language of much of the non-Arabic Islamic world. With the help Casino Spiele Mit Startguthaben her younger sister they weave a web of stories to enchant the sultan. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. I liked the Blackfire Games these stories were weaved as a collection of short tales. The film contains abundant nuditysex and slapstick humor. Out Calippo the blue, Schahriar's wife had cheated on him which drove him 10 Bet Casino. The king, curious about how the story ends, is Www.Fetisch.De forced to postpone her execution in order to hear the conclusion. They often contained veiled allusions to contemporary French society. Hambly, Gavin R. After their victory, the Crusaders established a chain of principalities along the eastern Mediterranean coast. The slave answered that he had received the apple from his mistress, who had mentioned that her husband had journeyed half a month to get them for her. The helpless monarch, otherwise known as the enchanted king of the Black Islands, reveals that his beloved queen betrayed King Queen by taking a black lover. We and our partners Affe.De Kostenlos Spielen cookies to better understand your needs, improve performance and provide you with personalised content and advertisements.

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The magical "Tales of the Arabian Nights " such as "Aladdin and his Magic Lamp" and "Ali Baba and the 40 Thieves" kindle childhood memories in Rechner Btc of us, and Scheherazade's stories conjure up images of the Orient before our eyes.

Mesjed-e Imam Imam Mosque, formerly the Shah Mosque in Isfahan, Iran served as the place of the wedding feast where Zummurrud extracts revenge on her former captors and where she sees Nur-ed-Din eating at the very end of the film.

The feast of the three sisters and Nur-ed-Din was shot in Shibam. The pool scene was also filmed here. When the king meets the first prince transformed into the form of a monkey, this scene was filmed at the golden gate of Hanuman Dhoka in Nepal.

Likewise, Prince Yunan's oriental palace was also shot at Hanuman Dhoka. Yunan's father is bathing in the sunken bath of the Sundari Chowk courtyard.

Shooting was complicated in Isfahan. Military guards threw Pasolini and the crew out because they brought donkeys onto the premises of Imam mosque and Pasolini had women singing for the scene.

This was explicitly prohibited and cost the production a few days delay. Most of the score was composed by Ennio Morricone and intentionally keeps away from traditional music unlike the first two films of the Trilogy of Life.

The music is symphonic. This was to separate it from reality and give it more of a dream-like quality. This was to contrast the poverty depicted on the screen with the richness of Mozart's music.

The original script written by Pasolini is much different than what appears in the final film. The set up and flashbacks are much different and more stories from the book are added.

Each part was to have a different frame story which would segue into even more stories in a more conventional framework than the continuous, rhapsodic and fluid form of the final script.

In the original prologue of the film, the story opens in Cairo with four boys masturbating to different stories they envision in their heads.

The stories of the two dervishes were to go in between the last scene. These stories are left out of the final film except for the ones with the Dunya frame narrative.

These stories Dunya and Tagi, Aziz and Aziza, Yunan and Shahziman are in the final film though much later and in different context. In the intermezzo, four people of different faiths each believe they have killed a hunchback and tell the Sultan stories to calm his anger.

The Christian matchmaker, muslim chef, Jewish doctor and Chinese tailor each tell their story and avoid the death sentence.

The next part was to have Pasolini appearing as himself to the young boys. He kisses each boy, giving them a fragment of the story of Nur-ed-Din and Zummurrud each time.

This entire section of the script was left out of the final film. The most famous shot of the film, where Aziz shoots an arrow laden with a dildo into the vagina of Budur is not in this script.

Most of the original script is redone with Nur-ed-Din and Zummurrud as the main narrative and some stories are inserted in different ways to reflect this.

The final script does not follow a strict narrative structure but contains a rhapsodic form that moves from story to story. The same as with The Canterbury Tales which also featured international actors, this movie was shot with silent Arriflex 35 mm cameras and was dubbed into Italian in post-production.

Pasolini went to Salento , particularly the towns of Lecce and Calimera to find his voice actors because he believed the local dialect was "pure" and untainted by overuse in Italian comedies and because he saw similarities between Arabic and the Lecce accent.

The film was shot with Arriflex cameras. Pasolini refused to adopt one of the most conventional aspects of cinematography at that time, the Master shot.

Pasolini never used a Master shot. The scenes are all constructed shot by shot. This guarantees there is no coming back to the story or the characters.

It gives the film a free form aspect that anything can happen. The shots still remain perfectly calibrated despite this however. The Sultaness clapped her hands, and called: "Masoud, Masoud!

It was therefore with the deepest shame and sorrow that he accidentally discovered, after several years, that she had deceived him completely, and her whole conduct turned out to have been so bad, that he felt himself obliged to carry out the law of the land, and order the grand-vizir to put her to death.

They walked under the very lattice and advanced a little way into the garden till they came to a jetting fountain amiddlemost a great basin of water; then they stripped off their clothes and behold, ten of them were women, concubines of the King, and the other ten were white slaves.

Then they all paired off, each with each: but the Queen, who was left alone, presently cried out in a loud voice, "Here to me, O my lord Saeed!

He walked boldly up to her and threw his arms round her neck while she embraced him as warmly; then he bussed her and winding his legs round hers, as a button loop clasps a button, he threw her and enjoyed her.

The editor and translator have deliberately worked the translation to be as readable to the English eye as possible, even making judicious choices about where to refrain from using diacritical points single quote sound points, as in 'ain in order to ease the reading experience.

They've made a concerted effort to retain the adult content without being lewd, the racial content without descending into offensive caricature, the poetic content without overwhelming the reader, and the entire content without condensing the text and losing material.

For children, however, the superior volume is probably the Muhsin al-Musawi edition. This edition is condensed, but the editing was done with great care to maintain story structure and content.

The adult content has been toned down considerably, the racial content has been handled tactfully, the extra songs and poems have been almost entirely removed, and there are interesting and attractive pictures in the electronic edition.

My biggest complain here is that the adult content has been excised to a degree that almost brings unfortunate implications: when adultery is characterized as "conversing", the angry and jilted husband seems to be seriously over-reacting.

Still, if you want a sanitized version of the tales, the al-Musawi edition is almost certainly the way to go. I do not recommend the Lang edition.

Lang's fairy tale collections, such as the color fairy tale books, are usually a delight, but his Arabian Nights edition is thin on content and heavily paraphrased.

The stories are gutted to remove the adult content and shorten the tale length for children, but in many cases the changes are not carefully glossed over, and huge plot holes and unresolved threads are left dangling.

I've never met a Lang reader who didn't ask me what was going on in one tale or other because the translation is so poorly rendered.

Neither do I recommend the Burton version. If anything, the Burton version has the exact opposite problems as the Lang version: Burton's edition lengthens the stories with extensively lewd descriptions and offensive racial imagery.

The edition was also rendered in the s, and the language within has not aged well -- there are all lot of "forsooth"s and "verily"s that bog down the reading.

If you're interested in a historical analysis of how these tales have been rendered over the years, by all means become familiar with the Burton version, but if you're just looking for light bedtime reading, give the Burton edition a pass.

I hope that this comparison will be helpful. This particular listing here is for the Lang edition which I really cannot recommend.

View all 8 comments. I really enjoyed this the second time around, and maybe even more so as I've matured.

I have my favourite ones, but not enough to begin listing them as they all kept my interest much like they withheld the King's.

They were short and full of adventure. I felt like I was able to inject myself in them as if I were one of the characters, or at least watching at a close distance as the stories unfolded.

My plan was to read one per night before bed, but again, I enjoyed the stories so much I wanted I really enjoyed this the second time around, and maybe even more so as I've matured.

My plan was to read one per night before bed, but again, I enjoyed the stories so much I wanted to finish, and I also want to start another book.

I love reading books, and listening to them as well! What about those of you who have read it What are they?

Shelves: favorites , fairy-tale-collection , forced-bride , owned-copy , story-within-a-story , folklore , arabian-nights-lore.

Great book. Not one that can be read in one sitting, though. I really like the form of narrative, with a story leading into or encompassing another story.

Most of this book is like onion layers. You really do want to have a bookmark handy if you put this one down. This was Scheherazade's tactic to keep King Shahryar's attention so that he couldn't have her executed the next morning.

He was a very insane man who hated women to the degree that he would marry a virgin and have her killed the next Great book.

He was a very insane man who hated women to the degree that he would marry a virgin and have her killed the next morning. Fortunately Scheherazade was a very clever woman with a gift for fantastic storytelling.

Her plan worked splendidly, as nights passed and she was still living. If you are a fan of fairy tales, but haven't really diverted away from the European ones quite yet, this is a good stepping stone.

They are filled with the exotic and mystical appeal of the East, but are similar enough to the European tales to maintain that fairy tale appeal.

I'm sure that most people are familiar with some of the staples: Sinbad, Aladdin, Ali Baba, but there are other, less popular, but just as good or better stories in the Arabian Nights that it was a joy to discover for the first time.

This is a shorter version of the Arabian Nights. A good place to start for a beginner or a person with a short attention span I tend to be like the latter at times.

I intend to read the full-length version. It may take me a while, but it gives me something to look forward to. Definitely delve into the Arabian Nights.

You won't be sorry when you do. View 2 comments. I enoyed these ancient tales of princes, princesses, genies, merchants, fantastic adventures, treasures, grand palaces.

Common themes are cleverness or foolishness, love, revenge, jealousy, but above all, generosity and helping those in need is valued most in these stories.

Besides entertainment, we also get a picture of a rich, vibrant and educated culture way more sophisticated and world-wise than contemporary Europe, which was stuck in its darkest of the Middle Ages at the same time.

Baghdad, I enoyed these ancient tales of princes, princesses, genies, merchants, fantastic adventures, treasures, grand palaces.

Baghdad, Persia, India, China, Egypt feature in the stories, with rich merchants, kings, cities and craftsmen, revealing a flourishing trade and wealthy kingdoms.

A fun and educational insight into the minds and times of medieval Arabic culture. Shelves: old-is-gold. The Arabian Nights Entertainments contains 33 short stories related to the famous nights, selected and edited by Andrew Lang.

I quite enjoyed his breezy editing which left no room for boredom. The stories are mostly folklore of the medieval Islamic era, with hints to ancient pre-Islamic history, mostly in Arab lands, Persia, and all the way reaching to China.

She's The Arabian Nights Entertainments contains 33 short stories related to the famous nights, selected and edited by Andrew Lang. Out of the blue, Schahriar's wife had cheated on him which drove him crayzaay.

Driven by his broken heart and lost mind, and thanks to his authoritative rank as the Sultan, he decided to erase the female human kind from his society, not only by a single genocide, he's a man after all and a man has needs to satisfy.

So, he had the habit of marrying a new virgin every night then having her beheaded the next morning. A girl must step out to end this bullshit.

Here comes the grand-vizir's daughter; witty bibliophile Scheherazade. She volunteered to be wedded to the merciless Sultan. Instead of lying on his bed waiting for her inevitable fate, she charms him with a trail of fascinating stories.

She kept procrastinating her storytelling, tale followed by another. He couldn't get enough of her enchanting stories every night and eventually resolved to keep her head attached to her body.

Morals of the story: - Procrastination is the answer. Many bewildering stories of genii, wizards and witches, princes and princesses, magical powers, monstrous animals, Sindbad the Sailor and his adventures with one-eyed-giants and red-hairy-imps, Aladdin and his famous Lamp, and more The Tales from the Arabian Nights is probably the finest example of what a magical narrative should be.

If I had to categorize this collection of tales, I would not call them fairy tales, but rather magical tales. Since almost everyone is familiar with the premise behind these stories, I shall not go into detail concerning the backdrop for this fine collection.

Rather, I shall express my opinion about them. Aside from the impact these tales once introduced in Europe had on the western literary The Tales from the Arabian Nights is probably the finest example of what a magical narrative should be.

Aside from the impact these tales once introduced in Europe had on the western literary tradition, they continue to entertain generation after generation of readers the world over.

Unlike many passing narratives, The Tales from the Arabian Nights remain timeless, for in their core they portray human nature perhaps better than any other similar collection.

They can be enjoyed by readers both young and old, new and experienced, and even the returning reader is sure to find some new experience, some overlooked detail, or a new lesson.

For, in reality, these tales are lessons about humanity. Within Scheherazade's narrative are woven magical lands, mysterious creatures, powerful rulers, and humble commoners.

Above all, there are lessons. Lessons about us, lessons about the human nature with all its imperfections. Yes, as it is with most tales, there is justice, but the justice in this book is not always just, the rulers are often wrong, and the wrongdoers sometimes escape their punishment.

And such is, and has been, our world. But there is an inherent hope that all will turn out well, that the evil will receive, in due time, its punishment, and that the victims will be recognized and treated as such.

And that is the same hope we have to hold onto even in our times, because our world is not that different from the world of Scheherazade.

We may have replaced sultans with presidents, dervishes with priests, and camels with wheeled vehicles.

Nevertheless, we remain flawed. View all 5 comments. Sep 03, Lauren Schumacher rated it liked it. There is little evidence that the Nights was particularly treasured in the Arab world.

It is rarely mentioned in lists of popular literature and few preth-century manuscripts of the collection exist.

According to Robert Irwin, "Even today, with the exception of certain writers and academics, the Nights is regarded with disdain in the Arabic world.

Its stories are regularly denounced as vulgar, improbable, childish and, above all, badly written. Idries Shah finds the Abjad numerical equivalent of the Arabic title, alf layla wa layla , in the Arabic phrase umm el quissa , meaning "mother of records.

On a more popular level, film and TV adaptations based on stories like Sinbad and Aladdin enjoyed long lasting popularity in Arabic speaking countries.

Although the first known translation into a European language only appeared in , it is possible that the Nights began exerting its influence on Western culture much earlier.

Knowledge of the work, direct or indirect, apparently spread beyond Spain. The modern fame of the Nights derives from the first known European translation by Antoine Galland , which appeared in According to Robert Irwin , Galland "played so large a part in discovering the tales, in popularizing them in Europe and in shaping what would come to be regarded as the canonical collection that, at some risk of hyperbole and paradox, he has been called the real author of the Nights.

This fashion began with the publication of Madame d'Aulnoy 's Histoire d'Hypolite in D'Aulnoy's book has a remarkably similar structure to the Nights , with the tales told by a female narrator.

Galland's version provoked a spate of pseudo-Oriental imitations. At the same time, some French writers began to parody the style and concoct far-fetched stories in superficially Oriental settings.

They often contained veiled allusions to contemporary French society. The most famous example is Voltaire 's Zadig , an attack on religious bigotry set against a vague pre-Islamic Middle Eastern background.

The Polish nobleman Jan Potocki 's novel Saragossa Manuscript begun owes a deep debt to the Nights with its Oriental flavour and labyrinthine series of embedded tales.

The work was included on a price-list of books on theology, history, and cartography, which was sent by the Scottish bookseller Andrew Millar then an apprentice to a Presbyterian minister.

This is illustrative of the title's widespread popularity and availability in the s. The Nights continued to be a favourite book of many British authors of the Romantic and Victorian eras.

According to A. Byatt , "In British Romantic poetry the Arabian Nights stood for the wonderful against the mundane, the imaginative against the prosaically and reductively rational.

Wordsworth and Tennyson also wrote about their childhood reading of the tales in their poetry. While the king is uncertain—except in the case of the elephants carrying the world on the back of the turtle—that these mysteries are real, they are actual modern events that occurred in various places during, or before, Poe's lifetime.

The story ends with the king in such disgust at the tale Scheherazade has just woven, that he has her executed the very next day.

Another important literary figure, the Irish poet W. Yeats was also fascinated by the Arabian Nights, when he wrote in his prose book, A Vision an autobiographical poem, titled The Gift of Harun Al-Rashid , [] in relation to his joint experiments with his wife Georgie Hyde-Lees , with Automatic writing.

The automatic writing, is a technique used by many occultists in order to discern messages from the subconscious mind or from other spiritual beings, when the hand moves a pencil or a pen, writing only on a simple sheet of paper and when the person's eyes are shut.

Also, the gifted and talented wife, is playing in Yeats's poem as "a gift" herself, given only allegedly by the caliph to the Christian and Byzantine philosopher Qusta Ibn Luqa , who acts in the poem as a personification of W.

In July he was asked by Louis Lambert, while in a tour in the United States, which six books satisfied him most.

The list that he gave placed the Arabian Nights, secondary only to William Shakespeare's works.

The critic Robert Irwin singles out the two versions of The Thief of Baghdad version directed by Raoul Walsh; version produced by Alexander Korda and Pier Paolo Pasolini 's Il fiore delle Mille e una notte as ranking "high among the masterpieces of world cinema.

UPA , an American animation studio, produced an animated feature version of Arabian Nights , featuring the cartoon character Mr.

The animated feature film, One Thousand and One Arabian Nights , produced in Japan and directed by Osamu Tezuka and Eichii Yamamoto, featured psychedelic imagery and sounds, and erotic material intended for adults.

Shabnam Rezaei and Aly Jetha created, and the Vancouver-based Big Bad Boo Studios produced Nights , an animated television series for children, which launched on Teletoon and airs in 80 countries around the world, including Discovery Kids Asia.

Others artists include John D. Heath Robinson and Arthur Szyk Harun ar-Rashid , a leading character of the Nights.

William Harvey , The Story of the Fisherman , —40, woodcut. Friedrich Gross , ante , woodcut. Frank Brangwyn , Story of Abon-Hassan the Wag "He found himself upon the royal couch" , —96, watercolour and tempera on millboard.

Frank Brangwyn , Story of the Merchant "Sheherezade telling the stories" , —96, watercolour and tempera on millboard. Frank Brangwyn , Story of Ansal-Wajooodaud, Rose-in-Bloom "The daughter of a Visier sat at a lattice window" , —96, watercolour and tempera on millboard.

Frank Brangwyn , Story of Gulnare "The merchant uncovered her face" , —96, watercolour and tempera on millboard. Frank Brangwyn , Story of Beder Basim "Whereupon it became eared corn" , —96, watercolour and tempera on millboard.

Frank Brangwyn , Story of Abdalla "Abdalla of the sea sat in the water, near the shore" , —96, watercolour and tempera on millboard. Frank Brangwyn , Story of Mahomed Ali "He sat his boat afloat with them" , —96, watercolour and tempera on millboard.

Frank Brangwyn , Story of the City of Brass "They ceased not to ascend by that ladder" , —96, watercolour and tempera on millboard.

From Wikipedia, the free encyclopedia. Collection of Middle Eastern folk stories. Play media. Novels portal. Encyclopaedia of Islam 3rd ed.

The Arabian Nights in Transnational Perspective. Wayne State University Press. Pellat Encyclopaedia Iranica. Lyons and Ursula Lyons Penguin Classics, , vol.

Bearman; Th. Bianquis; C. Bosworth; E. Heinrichs eds. Encyclopaedia of Islam 2nd ed. Retrieved on The Nandakaprakarana attributed to Vasubhaga, a Comparative Study.

University of Toronto Thesis. Les entretiensde Nang Tantrai. Bibliotheca Javaneca No. Motilal Banarsidass Publishers.

II, pp. Josef W. However, it remains far from clear what the connection is between this fragment of the early text and the Nights stories as they have survived in later and fuller manuscripts; nor how the Syrian manuscripts related to later Egyptian versions.

Al-Rabita Press, Baghdad, Islamic Review , Dec , pp. The Arabian nights: a companion. Sheherazade through the looking glass: the metamorphosis of the Thousand and One Nights.

Retrieved 19 March Story-telling techniques in the Arabian nights. Trailers and Videos. Crazy Credits. Alternate Versions.

Rate This. Ancient Arabia. A youth is chosen by a beautiful slave girl to be her new master; she is kidnapped and they must search for each other.

Stories are told within stories; love, travel and the whims of destiny. Director: Pier Paolo Pasolini.

Writer: Pier Paolo Pasolini. Available on Amazon. Added to Watchlist. The Evolution of Keanu Reeves. Favorites of the s. Share this Rating Title: Arabian Nights 6.

Use the HTML below. You must be a registered user to use the IMDb rating plugin. What a "Night"!

Which is your favorite? Edit Cast Cast overview, first billed only: Ninetto Davoli Aziz Franco Citti The Demon Franco Merli Aziza Ines Pellegrini Budur Alberto Argentino

The Arabian Nights

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2 Kommentare

  1. Vudosida

    Wacker, die glänzende Phrase und ist termingemäß

  2. Kajitaur

    Bemerkenswert, die sehr lustige Meinung

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